Essays, field notes, and small returns. Published when the work asks to be shared, not on a schedule.
Writing,
in seasons.
Cyclical time: planning by season, not by quarter.
Why I stopped running my year on the fiscal calendar, and what I use instead.
The longer pieces.
What hospitality finance taught me about creative practice
Why I took a job I plan to leave
Trust Fall: A Blind Date with Faith
For My Parents
Lit in Stardust
Self Portrait
Red Renaissance
Forbidden Dreams
Will Rise
Reflections on the Modern Fight for Racial Justice
SiZ0n 25
Journal Entry: 4.20.20
Om Shanti Om
Fame Game
Curiosity did not Kill the Cat
Shenandoah
Blossom drops.
Weekly-ish. Short. Overheard sentences, three-line drafts, small proof that a practice is alive between the essays.
What Aluna means.
Published the first essay on Substack. Sitting with the question: how do you give language to something words can't hold?
Kinfolk, live.
Summer currents in New York, in great company. Heard Mereba sing it like a blessing.
Roy, halfway through.
Arundhati Roy's memoir, Mother Mary Comes to Me. Devastating and beautiful, often on the same page.
Discovered Poetic Reason.
A new voice in the rotation. The kind of find that rearranges the week.
Overheard at the studio.
“You don’t have to earn your own rest.” My teacher, this morning, to nobody in particular.
Three lines.
Draft the season. Price the season. Rest the season. I have been rewriting this sentence for a week.
Clarice, again.
Re-reading Água Viva on the train. Underlined the same paragraph I underlined in 2019. Different reasons.
Feb 28.
February ended before I was ready. Spent its last morning doing nothing. Counts.
Enter the garden.
An intimate look at how she thinks, what she believes, and how she changes. Aluna: On the Sazón of Living is her bilingual Substack, a fluid space, her garden, not bound to any one format.
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